(Untitled) 2016
4 2011, Lot 14: BEN QUILTY born 1973, Untitled (Paris) 2001, Lot 18: BEN QUILTY, born 1973, SKULL RORSCHACH, 2007, oil on linen, Lot 27: Ben Quilty (born 1973) Skull Diptych (Rorschach) oil on linen, Lot 30: BEN QUILTY, born 1973, SKULL, 2009, oil on canvas, Lot 36: BEN QUILTY (born 1973) (Untitled) 2016 oil on canvas, Lot 40: BEN QUILTY, born 1973, Insignia No.1, 2007, oil on. The symmetrical composition centered around a vertical axis has been borrowed from the iconic inkblots of Swiss psychologist Herman Rorschach’s pseudoscientific test of mental /visual association.
Oct 29,2020
Life drawing, Dead 2005 Description:
The overall image appears to be a row of parked cars, but as the viewers eye follows the work left to right it grows and evolves into one of Quiltys fanged, skull like white vans. 30.0 x 29.0 cm One of only three portraits of Myuran painted by the artist, this figure is suspended from the sky, hovering upside down from a sanguine cloud, removed and observing the rippling black tides of contemporary history.4 With a restricted chromatic palette, 32 (label verso). Using this motif as a condensed metaphor for the trauma and displacement inherent in our island nation, Quilty presents
Skull Rorschach makes no allusion to anything beyond a simple Ben Quilty, "Kenthurst Landscape III" oil on canvas, signed verso and dated 1999, 73 x 145cm, Condition Report:
Each canvas depicted a motor vehicle, and doubled in size from left to right. Artwork.
AUD20,000 - AUD30,000, Description:
In doing so he geared his paintings towards images which explored the young mens search for masculine identity. BEN QUILTY (born 1973) Skull, First Rorschach oil on canvas 40.0 x 35.5 cm signed and inscribed with title verso: Skull First Rorschach/ Ben Quilty Provenance: Gift from the Artist, 2005 Private collection, NSW, Description:
LUCIE REEVES-SMITH, Description:
on display at the Gallery, EXHIBITIONS: Estimate:
BEN QUILTY Estate of Adam Cullen, Sydney We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of COVID-19 (coronavirus). Private collection, Sydney Slade, L. Janus, the two-faced Roman deity, presided over the beginning and ends of conflict, time and in particular moments of transition – a fitting symbol for Quilty’s art of this period, the high- energy cultural milieu of mateship, bravado and perpetual flirting with self-destruction. The nuggetty Holden Torana, with its V8 engine crammed under the hood, became Quilty’s favourite car. The island crowned by a single drooping palm tree recurs in several paintings of 2013, including LITERATURE: Beyond its marbled surface, marshalled into focus by attentive viewers, two skulls surge forward – their streaked surfaces giving the disorienting impression of great velocity –
DIMENSIONS: Description: BEN QUILTY born 1973 SKULL RORSCHACH, 2007 oil on linen DIMENSIONS: 140.0 x 190.0 cm PROVENANCE: GrantPirrie Gallery, Sydney Private collection, Sydney, acquired from the above in 2007 LITERATURE: Slade, L. Private collection, Melbourne. BEN QUILTY born 1973 The Evo Project No.4 2011 oil on linen 170.0 x 150.0 cm signed, dated and inscribed verso: The Evo Project no.4 Ben Quilty 2011 Grantpirrie Gallery, Sydney (Hong Kong International Art Fair 2011)|Private collection, Sydney|Menzies, Melbourne, 20 June 2012, lot 14 |Private collection, Melbourne, Description:
Seroquel, 2013 was amongst the first paintings created after this series, contemplative and mysterious, yet still containing a Baconian torment in its floating figure.3 Displayed in a solo exhibition entitled 61.0 x 50.0 cm BEN QUILTY, born 1973, SKULLBURGER, 2006, oil on canvas SIGNED: signed, dated and inscribed verso: Skullburger / Ben Quilty 06 inscribed verso: Aerosol and oil / on canvas DIMENSIONS: 130.0 x 140.0 cm PROVENANCE: Grantpirrie, Sydney Private collection, Sydney ESSAY: At a time in their lives when many young white males are staggering their way through perceived rites of passage, artist Ben Quilty turned a mirror on himself and his friends.
SIGNED: § BEN QUILTY As his current touring survey exhibition (currently on view at the Queensland Art Gallery and Gallery of Modern Art and opening at the Art Gallery of New South Wales in November) would attest, Quilty has reached an impressive level of recognition for a living Australian artist, which he has used judiciously to support numerous social causes. - Dec 18,2020, Galería Juana de Aizpuru
Lewis, C., Ache, catalogue essay, GRANTPIRRE, Sydney, 2006HENRY MULHOLLAND, Estimate:
Flanagan R., (et al. Description:
Annette Larkin Fine Art, Sydney 'Trooper Luke Korman.' Works by Ben Quilty sorted by artist surname viewing all 15 results (none on display at the Gallery, view 15 with images available) Sorted by Ben Quilty Golden soil, wealth for toil 2004 17.2005.
Tolarno Galleries, Art Basel, Hong Kong 2016 DIMENSIONS: 60 x 50cm This juxtaposition allows the artist to contrast form with abstraction, a helpful device which amplifies the expressive qualities of the opposing approaches.
EXHIBITED: 31 x 67cm (overall) While Quilty’s first experiments with Rorschach methods were limited to symmetrically opposing images over two canvases of the same size, It says, I belong to the no-bullshit, can-do men of the real Australia.
Jan Murphy, Brisbane (label attached verso) Nov 18, 2020, Christie's Online
Nov 18, 2020, Artcurial
Description:
BEN QUILTY, born 1973, SKULL RORSCHACH #2, 2008 , oil on linen, diptych 205 (illus. BEN QUILTY, born 1973, Insignia No.1, 2007, oil on linen (diptych), signed, dated and inscribed verso: Insignia Ben Quilty 2007, 120.0 x 26.0 cm (overall), Estimate:
Throughout his career Quilty has presented an incredibly strong series of images, investigating notions of masculinity from an Australian perspective.
Oct 27, 2020, Forum Auctions London
Ben Quilty, Penguin Random House, Melbourne, 2019, pp. In the catalogue essay accompanying Quilty's 2007 exhibition at GRANTPIRRIE, Sydney, in which portraits of the artist's six-month old baby son Joe were included, Michael Desmond offers an insightful view of the development of Quilty's work: 'Quilty's earlier work represents the apprenticeship of fast food and fast cars, drinking and drugs, graffiti and petty vandalism that typified the Australian male rites of passage in the 1980s. Tolarno Galleries, Melbourne Ben Quilty (born 1973) Skull Diptych (Rorschach) oil on linen signed and titled verso 60 x 100cm, Estimate:
Artist note to Charles Blackman attached verso. Condition Report:
Bedford Downs Rorschach and Private collection, Sydney SIGNED: § BEN QUILTY born 1973 Lloydy 2010 oil on canvas signed, dated and inscribed 'Lloydy / Ben Quilty / 2010' verso 140.3 x 190 cm PROVENANCE Grant Pirrie Gallery, Sydney Private Collection, Queensland, acquired from the above Private Collection, Melbourne, Description:
SIGNED: 140.0 x 190.0 cm Est. Amongst these, 2018 Blue Chip XX: The Collectors Exhibition, Niagara Galleries, Melbourne, 6 March – 7 April 2018, cat no. ‘The Dead Pirate' / Oil on canvas / Ben Quilty / 2005 / [skull & crossbones] further dedicated to Adam Cullen verso
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