If they do not sign, they are blurred, or otherwise edited around in post-production. Executive producers keep their method for choosing cities secret, but it appears that they tap their network of existing relationships with police departments to get their foot in the door with others, as they are joined by several professional associations — like the International Association of Chiefs of Police, for example. A&E's position as a media outlet is a challenging one, and while this solution isn't perfect, it's commendable to bring focus to this frequently overlooked and difficult work once the crime scene tape is gone and police departments focus on other cases. Direct quotes from past or present detectives regarding their The First 48 experiences are rare, but what little exists is largely positive. [7] On December 16, 2015, Shawn Peterson pled guilty to manslaughter for the triple murder of his ex-girlfriend, Christine George, her son, Leonard and her daughter, Trisa in the Gentilly neighborhood of New Orleans. A killer terrorizes Atlanta and investigators try to track him down. Some cite the presence of the crew as beneficial, as it inspires them to put extra effort into presenting their department and their profession positively. Given the steady marathon rotation the show is given on A&E and in syndication, the end credit is easy to overlook, but its presence is significant to the legacy of the show. Interestingly enough, most seem to agree to be shown on the show, even firsthand witnesses. The original soundtrack, opening title theme and dark ambient sound design for the overall program was composed by Chuck Hammer (2004-2006). A young father is ambushed at a gas station in Dallas; a Miami rapper is gunned down. It's a difficult and dangerous job, and including the extra liability of a film crew in tow makes it even more complicated. In some ways this is a bit of a shame, because cities are often chosen because their squads perform well above the national average in clearing homicide cases, which sits at 59 percent. However, the show has also created legal challenges as their cases head through the court system, and not necessarily because anybody did anything wrong. The footage is delightfully tongue-in-cheek — it opens with a traditional New Orleans funerary band following Detective Rayell on a death investigation call while bewildered onlookers gawk — and utilizes title cards and graphics that are very similar to First 48's scene transitions.

The more prominent ones are subsequently asked to appear on other shows on different networks as interviewees and even jumpstart their own programs as a second career. A local music producer helped him make a video for it, which you can watch on YouTube. The Killer Speaks depicts convicted felons as they describe their crimes through their first-hand accounts.

Today, he enjoys semi-retirement and contracts as a private investigator and public speaker in, of all places, Kansas. On May 16, 2010, 7-year-old Aiyana Jones of Detroit was shot and killed during a "special weapons and tactics" (SWAT) raid that was recorded by The First 48 cameras. It's obvious enough why many physical documents are obscured, such as driver's licenses or addresses on mail, but why not people? While most cases are solved within the first 48 hours, some go on days, weeks, months or even years after the first 48. As it turns out, facial blurring is decided largely through usage of waivers. Show production has since left the city, but he keeps a healthy following of First 48 fans to this day and posts selfies with others in his department to his Instagram account, should you miss seeing him and his squad on the show. He retired in 2013 as a Deputy Commander, and the following year, he starred in a short-lived true crime program called Dead Again.

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