184, Pgs. Born in Brisbane, Australia Lives and works in Sydney, Australia and New York, USA Tomorrow Today: Contemporary Art from the Singapore Art Museum (2009-2011), Singapore Art Museum, Singapore, Architecture of Fear, Z33 House for Contemporary Art, Hasselt, Belgium, Destiny Deacon, Fiona Hall, Bill Henson, Tracey Moffatt, TV Moore, Julie Rrap, Anne Zahalka, Roslyn Oxley9 Gallery, Sydney, Australia, Long Way Home, Flinders University City Gallery, Melbourne, Australia, Thank you for the days: My teenage years, Lismore Regional Gallery, Australia, 21st Century: Art in the First Decade, Gallery of Modern Art, Brisbane, Australia, Colour Power: Abroginal Art Post 1984, National Gallery of Victoria, Melbourne, Australia, Kaldor Public Art Projects `Move: The Exhibition', Gallery Of Modern Art, Brisbane, Australia, Being Born Again Couture, Fashion Collaboration, Sydney, Australia, Inheritance, Australian Centre for Photography, Sydney, Flicks: The Cinematic in Art, Droichead Arts Centre, Drogheda, Yapang Marruma: Making Our Waya (Stories of the Stolen), Lake Macquarie Art Gallery, Lake Macquarie, New South Wales, Earth: Art of a Changing World, The Royal Academy of Arts, London, Low Blow, Stefan Stux Gallery, New York, USA, From Heaven to Hell, MUSAC from Spain in Mücsarmok Budapest, Hungary, Göteborg International Biennial for Contemporary Art, Göteberg, Sweden, Failed Art-The Art of Failure, Weimar, Germany, Mediated, California Museum of Photography, Riverside, USA, Burning Down the House, Brooklyn Museum, New York USA, The Furious Gaze, Monthermoso Cultural Center, Vitoria, Spain, Liverpool Biennial: International, Liverpool, UK, Modern Ruin, Gallery of Modern Art, Brisbane, Revolutions - Forms That Turn, 16th Biennale of Sydney, Sydney, curated by Carolyn Christov-Bakargiev, Supercharged: the car in contemporary culture, IMA touring show - Logan Art Gallery, Redcliffe Art Gallery, All-Inclusive. Thames & Hudson: Australia, Joseph R. Wolen, 'Tracey Moffatt, "Social Edit'' (reviews), Time Out, New York, April 17 - 23, Modern Ruin (exhibiton catalogue), Gallery of Modern Art, Brisbane, Australia, 'Show and Tell: Tracey Moffatt,' Karen Rosenberg, New York magazine, January 22-29, 2007, USA, 'The Goal Standard,' Michael Kimmelman, New York Times, Style magazine, March 3rd, 2007 USA, Catherine Summerhayes, The Moving Images of Tracey Moffatt, Charta Artbooks, Milan, 'About Face,' Deadly Vibe, June, Issue 125, pp. 1, USA, B. Cellis, ‘Tracey Moffatt- Artista Australiana,’ El País, 20 May 1999, Madrid, Spain, Daniel Bensinger Costello, ‘Art & Money,’ The Wall Street Journal, 17 September, 1999, New York, USA, Stella Artois, ‘Exhibitionism,’ Flaunt, June/July, 1999, USA, Vince Aletti, ‘Male Female,’ Aperture, Summer, 1999, no.

York.

wie sie ihre Münder bewegen, und dann verblüfft bin, dass sie Wilma P. Mankiller (die Stammesführerin der CherokeeNation) heran und Foto von Lauren Hutton aus der New York Style aus, weil es so fröhlich

Herausgeberinnen englischer Zeitschriften); Fran Leibowitz (geistreich Travelling to Ipswich Art Gallery, lpswich, Australia; Western Plains Cultural Centre, Dubbo, Australia; Maitland Regional Art Gallery, Maitland, Australia; Bendigo Art Gallery, Bendigo, Australia; Artspace Mackay, Mackay, Australia; and Hawkesbury Regional Gallery, Windsor, Australia, Hung Out to Dry: Space, memory and domestic laundry practice, University of Queensland Art Museum, Brisbane, The Photograph and Australia, Art Gallery of New South Wales, Sydney, When the Ocean Turns to dust, Campbelltown Art Centre, Sydney, Activate, animate, complicate and grow: what new acquisitions can do for the collection, Ian Potter Museum of Art, University of Melbourne, Melbourne. - a History of Photography,’ Angus and Robertson 1989, Australia, Karen Alexander, ‘Tracey Moffatt, pushing the boundaries,’ Spare Rib, 1989, London, UK, ‘Night Cries A Rural Tragedy,’ Film News, p.9, October 1989, Australia, Anne Howell, ‘Yes Minister, the Arts Need You,’ The Sydney Morning Herald, October 7 1989, Sydney, Australia, Karen Jennings & David Hollinsworth, ‘Shy Maidens and Wanton Strumpets,’ Hecate Vol 13 No.2, 1987/88, Australia, Gael Newton, ‘Shades of Light: Photography and Australia’ (Book), Australian National Gallery, 1988, Australia, Helen Ennis, ‘Australian Photography The 1980s,’ exh.

26, No.

Während meiner Kindheit außergewöhnliche Frauen aus Geschichte und Unterhaltungskultur dar, die cat., 1995, p.5, San Antonio, Texas, USA, Michael Fitzgerald, ‘Technicolor World,’ TIME Mag., Australia / Pacific, 7 August 1995, Sydney, Australia, Julia Robinson, ‘Antipodean Currents,’ exh.

cat., National Gallery of Australia, 2000, Cranberra, Australia, Sporting Life (catalogue), Museum of Contemporary Art, 2000, Sydney, Australia, Francisco Calvo Searraller, ‘Fin de Siglo,’ El País, Agosto 26, 2000, Spain, Jane Harrison, ‘Australiens Gestohlene Kinder,’ Frankfurter Rundschau, September 9, 2000, Frankfurt, Anne Ring Peterson, ‘Den utilpassede,’ Det Nationale Fotomuseum, 2000, Germany, Dan Jönsson, ‘Tracey Moffatt’s komplexa pussel,’ Jah for Sidst, April 2000, Denmark, Hanneke Huls, ‘Tracey Moffatt Laudanum,’ Torch, May 2000, The Netherlands, Helmond Gemeentemuseum, Archis, Gemeentemuseum, 22 April, 2000, Ruth De Beer, ‘Introducing Tracey Moffatt,’ Museum Helmond, 2000, The Netherlands, Zwetende lichamen in een onmetelijke woestijn, Uitkrant, June 2000, The Netherlands, ‘SottShock,’ Man, May 2000, The Netherlands, ‘Australische Avante-Garde-Kunstenares,’ Rails, May 2000, The Netherlands, ‘Tracey Moffatt,’ Spits, May 2000, The Netherlands, ‘Tracey Moffatt,’ Carp, Helmond Gemeentemuseum April 2000, The Netherlands, ‘Expositie Tracey Moffatt,’ Traverse, Helmond Gemeentemuseum, April, 2000, The Netherlands, ‘Fototentoonstelling Tracey Moffatt in Gemeentemuseum,’ Helmond, Nieuus, April 2000, The Netherlands, ‘Laudanum,’ Vitrine, March 2000, The Netherlands, ‘Mutitalent, Tracey Moffatt,’ Avante Garde, May 2000, The Netherlands, ‘Tentoonstelling: Tracey Moffatt,’ Style Magazine, April 2000, The Netherlands, ‘Mi Trabajo es de carácter universal,’ Cabello/ Carceller, PhotoPeriódico, June 2000, Madrid, Spain, ‘Cronica de Una Fantasia,’ Cabello/ Carceller, El Periódico del Arte, May 2000, Madrid, Spain, ‘Tracey Moffatt in Babelia,’ El País, p.12 August 26, 2000, Helga de Alvear, ‘Tracey Moffatt,’ Arte de Parte, April/May 2000, Madrid, Spain, Lynne Cooke, ‘Sydney Biennale 2000,’ ex cat., 2000, Sydney, Australia, Tom Jørgensen, ‘Brutal Aestetik,’ Det Nationale Fotomuseum, 8 April 2000, Denmark, ‘Snap Ruling,’ The Citibank Private Bank Photography Prize 2000, Metro p.24-25, Feburary 5, 2000, Australia, ‘Finalists eye Citibank Privaate Bank Photography Prize,’ Citigroup (publication), p.9, 2000, UK, ‘Campos del Color,’ El País de las Tentaciones, 5 May, 2000, Madrid, Spain, ‘Tracey Moffatt, Trans-Europe-Expos,’ December-January 2000, Paris, France, ‘Tracey Moffatt,’ Readers Digest, March 2000, Canada, Saul Anton, ‘Tracey Moffatt, Fractured Fairy Tales,’ Time Out, March 2-9, 2000, New York, USA, Simon Grant, ‘Rich pickings up for the prize,’ The Guide, February 5-11, 2000, London UK, Natsumi Inokuchi, ‘Citibank Prize,’ Flash Art, January/February, 2000, London, UK, Kristine Kern, ‘Opium til øjnene,’ April 2000, Copenhagen, Denmark, Tracey Moffatt, Laudanum, exh.

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