Fans will be surprised to discover he sings almost as much as he raps, in pleasingly gruff tones. (HB), Philippakis’s voice is shrouded in the smoke from society’s wreckage. The dispute began with Dizzee claiming that he “was making Grime when Wiley was on Top of the pops with Pay as you Go and shacking up with school girls”. I've never seen a Nonce so protected since Saville. We would like to show you a description here but the site won’t allow us. Want an ad-free experience?Subscribe to Independent Premium. Also, he claimed that Ed’s recent song ‘Take Me Back To London (feat. (RO), Saves the World should see MUNA joining the ranks of those who have brazenly borrowed their sound. (AP), The decade’s second great Solange album churns several deformed, jazzy aesthetics – including Brainfeeder’s gloopy electro-funk and the concoctions of DJ Screw – into a lustrous cloud of R&B. Then there’s the rollicking “A Good Look” and “Last Man Standing” – it’s pure rock and roll: sleazy, slick and lots of fun. Uniting the tracks is their creator’s restlessly questing, non-conformist spirit. (JM), For her fifth studio album, Cate Le Bon went to live in a secluded cottage in the Lake District, where she sang to an empty house and took lessons in wood-carving. In June, Wiley hit out at Dizzee amid rumours that he’d recorded a diss track against him on new album ‘Raskit‘. “I can just be Michael Kiwanuka.” With an album this good, it’s hard to argue with that. If you think Grime started with I luv U or Eskimo you're lost but I forgive you. Create a commenting name to join the debate, There are no Independent Premium comments yet - be the first to add your thoughts, There are no comments yet - be the first to add your thoughts. (EB), Nilüfer Yanya isn’t down with the “wellness” industry. ​Synths and saxophone play their part on the smoother, more soulful “Paradise” and “Baby Blu”. An inspired album of scorched earth music. Aged 21, the North Carolina artist flecks songs such as the Anderson .Paak-featuring “RNP” with an endearing kind of nonchalance; over the woozy, psychedelic soul of opener “Wintertime”, meanwhile, he wonders how Corretta Scott King felt upon learning Martin Luther had cheated on her. On the lustful “Hell Song” he sings “less is more… but more is good”. One of these said: “I’m sick of people using grime to look good for two minutes.” Another added: “Don’t come to grime if your a clout chaser and a culture vulture stay away.”, The same source notes that collaborator Stormzy was quick to defend Ed: “No Wiley you know Ed been doing this from early, been a real one from early, can’t question that, you know I love you and respect you brother but nah don’t do that.” He’s even gone and dropped the excellent new song called ‘Wiley Flow’, which begins with a sample of Wiley saying “… all you man are my youngers.” Stormzy comes in with the first line: “If you can’t do 10k first week then I don’t wanna hear no chat about numbers.”, Metro now reports that the argument between Stormzy has been unearthed on Twitter again, with Wiley saying: “I’m old but you was tryna work with Jay Z who Ed brought in the room cos if it wasn’t for Ed that session would not of happened lol your not with us your with them #Pagan I am 10 years younger than Jay Z and I will merc you every day of the week #YourEasy #TooEasy.”, Both have responded numerous times, with Stormzy weighing in: “You are a p***k coz you dm me all the time like it’s mad love and we’re brothers and then you come on the internet and act weird and the reason that makes you a prick is because you know I won’t ever say anything on the TL because arguing on the net has never been my style…”. He claimed the only reason Jay-Z wanted to work with Stormzy was because Sheeran was involved (Stormzy actually turned down the US hip-hop star’s offer to work on their other track, “Take Me Back to London”). Maybe persistence will prove to be the key. It’s an album by an artist intent on readdressing her relationship with her own existence.

“Girl, run this s**t back,” she says after a vivacious flute solo on “Tempo” – a song featuring a guest verse from Missy Elliott, the person who, Lizzo said on Twitter, “made this chubby, weird, black girl believe that ANYTHING was possible”.

(AP), When Aldous Harding performed in London this month, an enamoured fan cried out that they loved her. Please be respectful when making a comment and adhere to our Community Guidelines. Death still looms – often in the form of a black dog that follows Callahan around various tracks – but its inevitability seems more of a comfort than something to be feared: “Everybody must walk the lonesome valley,” he sings firmly. It’s the sound of a singer excited to be earnest again. If Wiley continues to lash out, it could seriously backfire. Back when grime beef took place on pirate radio and not Twitter, Wiley sent for Durrty Goodz during a Choice FM set. Her spectacular, singular third album, Designer, is all of those things. As well as expectations of confessional singers, she subverts folk music’s focus on bare-bones songwriting. Maybe the reason for Wiley dragging up Ed’s name again is because he didn’t get a reaction last time. I cried yh?… this is Hilarious, story telling lol. As on Laila’s Wisdom, Eve conveys Rapsody’s natural feel for funk – “Michelle” (Obama) bounces in on a jaunty piano riff – but other tracks, such as “Afeni”, are pure soul. “No one knows but you.”And then there’s that voice – at once warm and haunting, controlled and untethered. “We used to do young and stupid,” Skepta concludes on “Gangsta”.

Home has always been at the heart of his music, so he maintains the close-quarters perspective of his 2005 debut Home Sweet Home; the swaggering confidence of that record, though, is replaced by a more thoughtful gravitas. If anything, the dynamic created by placing a bigger emphasis on melody allows you to consider everything without being engulfed by noise. Songs such as “All Night” are so candidly carnal it feels inappropriate to listen to them in public; notes of riot grrrl, pop and rock come together throughout the record to create something that is, at times, quite striking. She sings of the late rapper as a “wingless angel” with featherlight high notes that will drop the sternest jaw.

But Lover, her new, seventh album, feels like a partial resurrection of the Swift of old: moony romance and earnest earworms abound. “But, I’m busy.” The response is Harding to a T – wry, weird, introspective, focused. I don't know why you keep hyping, It's me fam I know everything just live your life.

Legend has it that, listening in at … (RO), Of all the excellent bands to emerge out of Dublin’s booming music scene over the past few years, Fontaines DC are the best of them.

On “Environment”, he talks about the conflict between what people see of his apparently glamorous life, and the reality behind the scenes where the blood and sweat is drawn out of him. (MB), A talented pianist as well as a rapper and singer, Dave often spits over discordant chords to amplify the urgency of his chosen subject, or else raps in gruff, assertive tones across an emotional sequence that complements his stoic intensity. Frontman Grian Chatten eschews punk’s tradition of valuing shock value over songcraft and instead offers searing, literary observations of a city with which he has a love/hate relationship.

In contrast to her fragile performance on UFOF, here Adrianne Lenker sings in lusty whoops and calls on “Forgotten Eyes”, while “Not”, the record’s dark, brooding soul, caterwauls with feedback screeches and a merciless, two-minute guitar solo that leaves you simultaneously devastated and enthralled. Get past the terrible title, and you’ll be rewarded with a viscerally entertaining album that never lingers for more than four minutes per song. “I stopped judging myself, and at that moment found hope in MAGDALENE.” At times, MAGDALENE is just as ungraceful, confused and fractured as its creator was – a rush of baroque electronics, industrial noise, opera, synths, autotune and precarious falsetto. The debut solo album of the art-punk pioneer was never going to be predictable, easy-listening.

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